![]() That fabric was popular in the’60s and into the ‘70s. What fabric was the dress made from?Ītwood: It was rayon jersey. Hopefully, she’ll have more than one dress. ![]() We also opened the door for more of her in the next season. I think we honored the previous versions of Morticia that had come before. The dress had a more contemporary shape to it. With Morticia, we reinvented her look with this silver fabric on the side, which was bonded to the black, twisted and sewn over. It is tricky to revisit classics because you do have to acknowledge what’s come before… if it’s good. ![]() The hair, the vision that Catherine had, the vision that Tim had, we all had the same idea and that helped it all come together. Zeta-Jones: Colleen said to me, “Where do we want to take this?” I said, “I see Tish and silhouette.” I think anybody else who closes their eyes and imagines Morticia sees something similar.Ītwood: Catherine was in L.A., so we didn’t get a fitting until Romania, and I felt blessed in the sense that I knew Catherine from all these years of working with her because when you’re in the middle of Romania, you don’t want to be starting over. Tomasz Lazar/Netflix © 2022 What discussions did you have about how Morticia would look? Catherine Zeta-Jones as Morticia Adams on the set of Wednesday. When I sashayed, so did that dress.īut it’s not until I put the outfit on, especially the shoes, apropos of what Colleen said, is when the character comes alive. She knew how to take an iconic look, how to modernize it and transform it into this new part of Morticia’s life and age. There were no cutaways, it was about what was underneath, and the costumes were sculpted in a way that the reveal was always a surprise.Ĭut to last year, in Romania when we were shooting “Wednesday,” she knows the way I move and the way that Morticia would be gliding. With “Chicago,” that jacket or robe could come off and take that costume from the real world into a burlesque one. It was about the iridescence of the beads and where they were on the hip as we moved. It wasn’t just a bunch of beads on a dress. She knew from the choreography how that costume needed to move. Zeta-Jones: Colleen was there when we were giving birth to the dance moves and working through those moments. It was an endless process of taking a shoe and figuring out all the things that didn’t work until we got each shoe working because those really had to be right. Such as?Ītwood: The shoes! Those were the hidden secret. But by being in those rehearsals and being on set, I could troubleshoot the costumes for what they had to do, and we didn’t need to take them apart 25 times to make them work for certain things. I was seeing her vision come to life and thinking, “Wow.” I just had this instant respect and admiration for her craft.Ĭolleen Atwood: “Chicago” isn’t just about Catherine and the team coming in to learn the music or the dance, it’s the only job I’ve ever worked on that had been rehearsed at that level of every placement for where things were going to be. I distinctly remember going into this warehouse during rehearsals, walking down this corridor, and finding Colleen and this explosion of costumes and fishnet tights hanging from every hook. Tell us about your first meeting.Ĭatherine Zeta-Jones: I must start first, my darling Colleen. Here, the two discuss their creative collaboration and finding the modern in Morticia. Atwood, whose credits include Tim Burton’s “Sleepy Hollow” and “Alice in Wonderland,” knew she had to pay homage to the IP while finding ways to modernize the family’s outfits, whether it was giving Wednesday (played by Jenna Ortega) modern platform shoes or opening up matriarch Morticia’s Since then, there have been countless iterations of the creepy, kooky family. It would be two decades before they officially reunited for Netflix’s “Wednesday.”įor this collaboration, Atwood had to bring back the iconic Addams Family, first made famous by cartoonist Charles Addams. 'Wednesday' Actor Percy Hynes White Calls Out 'Campaign of Misinformation' After Sexual Assault Allegations: 'The Rumors Are False' 'Star Trek: Picard' Team Built a 'Museum Quality' Enterprise D to Make Things as 'Cinematic as Possible' The Costumes of 'Queen Charlotte': Each Gown Needed Between 13 and 20 Meters of Taffeta Zeta-Jones would call on Atwood to design her outfit for the 2002 Academy Awards when the actor was days away from giving birth. Both would go on to win Oscars for their work on the film. But she recalls being in Toronto, walking down a long hallway and entering costume designer Colleen Atwood’s fitting space: “There was an explosion of costumes and fishnet tights.”Īnd thus an enduring collaboration between thespian and costume designer was born. Catherine Zeta-Jones had yet to do the table read for Rob Marshall’s “Chicago” or even meet co-star Renée Zellweger.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |